Impurity remains the logic of composition for Boris’s images, following the route of his gaze in time: otaku
adolescence as a source of discordant imagery; discovery of the pictorial tradition validating the nervous joys of soiling; then recent mutation mixing these twisted lines with flexible textures from a digital practice, always in the idea of formulating a language that can resonate completely with the joys and violences of our present time.

The format of the zine / artist’s book arises as a structure for its most recent series, broadcast by Chambre
Charbon, publishing house he also created to publish his curatorial experiences (series of Blessure Magazine).

Rem Arroni